|
|
|
St Nicholas Altarpiece ID de tableau:: 90051
Voir la galerie dans Suède
|
St Nicholas Altarpiece between 1486(1486) and 1493(1493)
Medium oil on oak panel
Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in).
cyf between_1486(1486)_and_1493(1493)
_
Medium_oil_on_oak_panel
_
Dimensions_Height:_101.5_cm_(40_in)._Width:_81.5_cm_(32.1_in).
_
cyf
|
|
|
|
|
|
|
|
Scene from the St Lucy Legend ID de tableau:: 90321
Voir la galerie dans Suède
|
Scene from the St Lucy Legend 1480(1480)
Medium oil on panel
cyf 1480(1480)
_
Medium_oil_on_panel
_
cyf
|
|
|
|
|
|
|
|
St Veronica with the Sudarium ID de tableau:: 91119
Voir la galerie dans Suède
|
St Veronica with the Sudarium between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf between_1480(1480)_and_1500(1500)
_
Medium_oil_on_oak_panel
_
cyf
|
|
|
|
|
|
|
|
Legend of St Lucy ID de tableau:: 92130
Voir la galerie dans Suède
|
Legend of St Lucy 1480(1480)
Medium oil on oak panel
Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in).
cyf 1480(1480)
_
Medium_oil_on_oak_panel
_
Dimensions_Height:_79_cm_(31.1_in)._Width:_183_cm_(72_in).
_
cyf
|
|
|
|
|
|
|
|
Mary, Queen of Heaven ID de tableau:: 92367
Voir la galerie dans Suède
|
Mary, Queen of Heaven Date c. 1485-1500
Medium oil on panel
Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in)
TTD Date_c._1485-1500
_
Medium_oil_on_panel
_
Dimensions_199.2_X_161.8_cm_(78.4_X_63.7_in)
_
TTD
|
|
|
|
|
|
|
| Artiste précédent Artiste prochain
|
|
Master of the Legend of St. Lucy
|
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
|
|